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Plan
Introduction
About this Document
Introduction
AudioSculpt Presentation
Additional Information
Installation
System Configuration and Installation
File Formats
Going Through an AS Session
Creating A Session
Opening a Sound File
Playing a Sound File
A Sonogram Analysis
Executing the Signal Analysis
Basic Manipulations
Browsing the Sonogram and Studying the Spectrum
Filtering the Sound
Setting Filters
Processing Filters
Saving and Quitting
The AudioSculpt Environment
Folders
AS and User Home Folders
Storage Folders and Files
Using Files
Interface
Interface Overview
Manipulating Windows and Zones
Waveform and Sonogram Windows
Processing Sequencer
Player and Transport Window
Sonogram Display and Inspector
Tools Palette
Console
AS Preferences
Access and Use
Colours
Environment
Miscellaneous
Audio
The BPF Editor
Applications and Location
Adding and Manipulating BPFs
BPF Edition
Tools and Commands
BPF Manual Edition
Manipulating Selections
Parametric Information and Edition
BPF Editor Visual Features
F0
Spectral Breakpoint Filter
Importing BPF Files
Signal Representation
Waveform Representation
Waveform Introduction
Signal Waveform Window
Display
Spectral Representations
Sonogram Introduction
Windows
Display
Adding Comments in a Sonogram
Waveform and Sonagram Manipulations
Basics
Playing and Visualizing Sounds
Quick Reference
Zoom and Browse
Browsing the Waveform and the Sonogram
Representation Units
Saving and Exporting Sonograms
Saving and Loading Sonograms
Sonagram Export
Signal Analysis
Signal Analysis Introduction
Preliminary Notions
Fourier Transform
Sampling : Signal Digitalization
Aliasing
FFT Parameters
Window Size
Window Step and Window Type
FFT Size
Applying the FFT Parameters
Choosing the Right Window Size
Time Buffer
Dialogue Window
Sonogram Analysis
STFT– Sonogram Analysis
Reassigned FFT
Spectral Envelope Analysis
Introduction
Linear Predictive Coding
True Envelope
Discrete Cepstrum
Markers
Manual Markers
Automatic Markers
Spectral Flow Detection
Transients Detection
Transient Markers
Transient Detection Principles
Detection and Discrimination
Transient Detection Settings
Automatic Markers Display
Basic Manipulations
Visualizing and Editing Markers Values
Creating Sound Files from Markers
Post-Analysis Use
Fundamental Frequency Analysis – F0
Voiced/Unvoiced Analysis
Analysis Files
Saving Files
Loading Analysis Files
Modeling Sounds with Sinusoids
Introduction
Sinusoidal Analysis and Synthesis
Analysis Methods
File Formats
Partials Analysis
Partial Tracking Analysis
Harmonic/Inharmonic Signal Analysis
Pencil Filter from Partials
Chord Sequence Analysis
Visualizing and Manipulating Partials
Saving and Using Partial Files
Partial Tracking and Chord Sequence Synthesis
Noise Removal
Noise Zones
Processing
Other Analysis
Peak Analysis
Masking Effect
Psychoacoustic Overview
Masking Effect Analysis
Formant Analysis
Signal Manipulation
Normalization, Noise, Gain
Noise Removal
Noise Zone
Manipulating Noise Zones
Noise Zones Export and Import
Noise Zones Interpolation
Processing Noise Removal
Gain Envelope
Pitch and Spectral Envelope Modifications
Pitch and Spectral Envelope Transposition
Melodic Transposition
Frequency Shift
Basic Manipulation and Edition
Transposition Processing
BPFs Manipulations – General Guidelines
Spectral Clipping
Adding a Spectral Clipping Filter
Basic Manipulations
Dynamic Filtering
Spectral Breakpoint Filters
Adding an SBF
Basic Manipulations
Dynamic Filtering : Multiple BPFs
Parametric Values Information and Edition
Processing Filters
MultiBand Filters
Constant Filtering
Basic Manipulation and Edition
Split Bands
Image Filters
Surface Filters
Surface Filter Tools
Creating Surface Filters
Pencil Strokes Specificities
Gain – Manual Modification
Gain Edition Dialogue Window
Filters Information and Edition
Copying Filters in Other Sound Files
Spectrum Manipulation and Treatments
Selection Tools
Generating Filters from Selection
Creating Snippets
Transposition / Frequency Shifting
Snippets Parametric Values
Playing and Processing Snippets
Saving and Using Snippets
Processing Parameters
Generalities
Envelope and Waveform Preservation
Synthesis Settings
Transients Preservation
Basic Settings
Expert Settings
Processed Files Format
Prelistening to Treatments
Managing Treatments
Processing Sequencer
Processing Sequencer Overview
Basic Manipulations
Managing Tracks
BPF Editor
Applications and Location
Adding and Manipulating BPFs
BPF Edition
Tools and Commands
BPF Manual Edition
Manipulating Selections
Parametric Information and Edition
BPF Editor Visual Features
F0
Spectral Breakpoint Filter
Importing BPF Files
Managing Constant Treatments
Surfaces Selection
Surfaces Manipulations
Generic Commands
[non titré]
Replicate in Time/Frequency
Grid and Magnetism
Grid
Frequency Grid Modes
Magnetic Move
Magnetic Stretch
Replicate in Time/Frequency
Processing Parameters
Generalities
Envelope and Waveform Preservation
Synthesis Settings
Transients Preservation
Basic Settings
Expert Settings
Processed Files Format
Prelistening to Treatments
Processing Sequencer
Processing Sequencer Overview
Basic Manipulations
Managing Tracks
Advanced Use
Errors and Problems
Basic Analysis/Synthesis Notions
A propos...
IRCAM