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OMChroma User Manual
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OMChroma User Manual
System Configuration and Installation
Foreword
Csound
Libraries and main default values
Importing tutorials
Extended preferences
Links
Getting started
Class Input Slots
Slots' Description and Default Values
Amplitude and Internal Editor
Amplitude Envelope
f-GEN Reserved Numbers
Audio Waveforms
Chord-seq to OMChroma
Spectrum Chord and Arpeggio
Velocity versus Amplitude
Exponential Amplitude Envelope with a BPF
Relationship with the Csound .orc and .sco files
Slots polymorphism
Managing GEN function and sound files
Local tables
Global tables
Global tables vs. local tables
GEN01 function table
How to pass sound files
Predefined Classes
Additive Synthesis
Additive Synthesys with ADD-1
Additive Synthesys with ADD-2
Additive Synthesys with ADD-3
Additive Synthesys with ADD-A1
Buzz Synthesis
Buzz Synthesis with BUZZ-1
Buzz Synthesis with BUZZ-2
Buzz Synthesis with BUZFL-1
Frequency Modulation Synthesis
Frequency Modulation Synthesis with FM-1
Frequency Modulation Synthesis with FM-2
Formant Wave-Function Synthesis (FOF)
Formant Wave-Function Synthesis with FOF-1
Formant Wave-Function Synthesis with FOF-2
Formant Wave-Function Synthesis with FOF-3
Formant Wave-Function Synthesis with FOF-4
Formant Wave-Function Synthesis with FOF-A1
Formant Wave-Function Synthesis with FOF-A4
Granular Formant Wave Function (FOG)
Granular Synthesis with FOG-1
Karplus-Strong
Karplus-Strong Synthesys with PLUCK-1
Karplus-Strong Synthesys with PLUCK-2
Random Amplitude Modulation
Random Amplitude Modulation Synthesys with RAN-1
Random Amplitude Modulation Synthesys with RANFL-1
Sampler
Reading from a sound file
Reading from a Sound file with SMPL-1
Reading from a Sound file with SMPL-2
Reading from a Sound file with SMPL-A1
Reading from a Sound file with SMPL-A2
Using a deferred table
Using a deferred table with SMPL-3
Using a deferred table with SMPL-4
Crossfading Looper
Crossfading Looper with SMPL-5
Crossfading Looper with SMPL-6
Subtractive Synthesis
Subtractive Synthesis with SUB-1
Wave Shaping Synthesis
Wave Shaping Synthesis with WSHP-1
Hybrid Models
Hybrid Models - SNARE-1
User-fun
Replace data
Read modify and replace
Add components
Using keywords
Fletcher-Munson curve
Filter
Creating a new Class
Three lines class
Initialize GEN slots
Orchestra with many instruments
Multichannel processing
Multichannel Processing with Stereo-1
Multichannel Processing with Stereo-2
Multichannel Processing with 4CH-1
Multichannel Processing with 4CH-2
Multichannel Processing with 5CH-1
Multichannel Processing with 6CH-1
Multichannel Processing with 8CH-1
Multichannel Processing with 12CH-1
Appendix A - Common Red Patches
Component number and entry delay
Random Break Point Punction
Synt
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