Spectrum Chord and Arpeggio
Tutorial Getting Started 07 - Spectrum Chord and Arpeggio
Building a spectrum chord and an arpeggio
First additive synthesis patch
This example shows how to build a spectral chord or a spectral arpeggio. Try to modify the data and hear the results.
Low Note | The lowest pitch of the spectrum expressed in midicent. |
High Note | The highest pitch of the spectrum expressed in midicent. |
Components | Total amount of components including the first and last pitch. |
Curve | Exponential factor of the interpolation. 0=linear (positive and negative numbers are allowed). |
dur | Duration of the sound. |
edel | Delay time between each component. Beware that the number of components multiplied by the delay time be not be greater than the duration (Components*edel<dur). In other words, the components whose entry delay is bigger than the duration will not be rendered. |
Plan :
- OMChroma User Manual
- System Configuration and Installation
- Getting started
- Class Input Slots
- Slots' Description and Default Values
- Amplitude and Internal Editor
- Amplitude Envelope
- f-GEN Reserved Numbers
- Audio Waveforms
- Chord-seq to OMChroma
- Spectrum Chord and Arpeggio
- Velocity versus Amplitude
- Exponential Amplitude Envelope with a BPF
- Relationship with the Csound .orc and .sco files
- Slots polymorphism
- Managing GEN function and sound files
- Predefined Classes
- User-fun
- Creating a new Class
- Multichannel processing
- Appendix A - Common Red Patches
